1/31/2024 0 Comments Movie effects explosion![]() Logan worked as DP and led the unit that produced the majority of the large featured/miniature explosions. His credit was second unit photography of the miniature and optical effects unit. “This rather novel idea didn't work out,” says Logan, “but my unit then went on to do the miniature explosions.” But when George returned from England, he was frustrated with his perceived lack of progress for shooting the motion-control spaceships.” Lucas wanted him to shoot puppeteers in black velvet suites flying spaceships on black rods through the frame in high speed. “My career at the time was moving forward as a feature DP, and I wanted to stay focused on that. In the early seventies, when George Lucas started putting together his team for Star Wars, he interviewed Logan to be his effects supervisor. “But our footage was never used,” he says, “until it reappeared in the opening title sequence of Blade Runner.” “Stanley didn't want any country to have a dupe-negative - especially at the beginning of the movie.”Īfter 2001, Trumbull brought him along to work on Michelangelo Antonioni's Zabriskie Point. ![]() I shot the opening title sequence for the movie, and then shot it seven more times for all the foreign versions,” says Logan. I designed some and shot much of the Jupiter sequence. I shot and designed most of the readouts. I was hired as an animation artist, but when they found out I could also shoot animation, I became doubly useful. In the following two years, Logan worked on the film as an animation artist, cameraman, and shot designer. Kubrick’s special photographic effects supervisor on 2001: A Space Odyssey, Douglas Trumbull, hired him onto the picture. In the sixties, Bruce was working as a visual effects artist. He is responsible for all my knowledge of film history and for introducing me to the films of all the great directors of the day, including Stanley Kubrick.” “He told me how to do my first special effects - a split screen. “My father told me that every frame of a film should be a perfect picture,” says Logan. He learned his craft from his father, Campbell Logan, a BBC classical drama director. Logan’s 50 years in film have produced truly epic cinematic images.īorn a Londoner, Bruce Logan began his hero’s journey by making animated films at 14. During our two Star Wars panels, Bruce electrified attendees with his own buffalo thunder - his accounts of detonating the Death Star, Alderaan, and an assortment of TIEs and X-Wing fighters during the making of Star Wars: A New Hope. ![]() Joining us was another metaphorical “destroyer of worlds,” film’s legendary visual effects director and soft-spoken Jedi Bruce Logan. Robert Oppenheimer fashioned the world’s first atomic explosion. This particular bounty-hunter reunion was beneath the expansive Sangre de Christo mountain range - sacred to the Navajo people - where J. In late October, clone-Fetts Dickey Beer and Bespin Boba rendezvoused in the high-desert at the Buffalo Thunder Resort and Casino for Jim Burleson’s Santa Fe Comic Con. The visual-effects innovator reflects on his career, from Kubrick to a galaxy far, far away.
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